The Rise Painting Parties and the Dangers of DIY

In recent years the art community has seen a rise in what you might call a “painting party.” For many small business groups, it’s the concept of a single night’s painting class in which a group of adults all paint a simple design while enjoying a bottle of wine or other beverage to relax. Thees BYOB nights have popped up all around the country and what started small has become a national phenomenon. However, with more and more people signing up for these events, I have to wonder about the long term implications of what might happen to artists and art as a whole. 

What does excite me about the opportunity these events bring to communities is how it opens new doors for many people and teaches them that they can be creative even if they have never thought of themselves as such before. In opening up new people to the world of art, it has begun to build their confidence in understanding the visual arts as well as being able to relate to artists rather than admire or gawk at them from a distance. However this understanding I believe can come at a high cost if we’re not careful. With the confidence to just paint something for yourself, these avid creators may not find the need to support and collect works from working professionals and skilled hobbyists anymore. 

Art should always feel accessible and “fun” for the creator, but this type of relaxing fun at these “painting parties,” cannot and should not take the place of fine art in our communities. In the mid 20th century there was a rise in the DIY culture for remodeling homes in suburban America. In most cases it became the norm to tackle large carpentry or interior designs to improve one’s home and lifestyle. These days hardware stores market themselves on this principle and it’s become integrated in our culture today. However out of the DIY movement came a slew of problems. Not all remodeling can be considered DIY, especially a number of electrical and plumbing projects, which have often plagued the average Do It Yourselfer and caused thousands of poorly designed and constructed homes across the country. 


So what does this have to do with painting parties? To put it simply when the visual arts are pushed into the DIY world, everyone suffers. If people reach a point where they decorate their homes with their own attempts at fine art, while at the same time moving forward with the mentality of “I can just make my own, I don’t need to buy something,” then the visual fine artist will go extinct. To limit the arts to simply something that can be done on a Friday evening for a couple hours, is to cause serious harm to the global art community and our culture as a whole. The dumbing down of painting in this case into the “party” mentality can potentially rob our society of the culture of great art; and in its place build an anarchy of DIY “arts and crafts.” 

However, this isn’t to say these party events are all bad. As I began, creating a fresh and engaged group of creative adults is something our culture is in desperate need of. The more and more people become engaged in the act of creating (in whatever form it takes), the more we will see a surge in the education and respect for the fine arts which could grow exponentially. I don’t feel that we are in either side of these extremes as of yet, however the dark side of them could easily overtake the culture not check on every now and then. As these types of businesses and events continue to flourish, it’s everyone’s responsibility not to simply limit our view of the visual fine arts. While the painting process is fun and rewarding it’s more than just something that takes a few hours while sipping on a glass of Merlot in a building that was once a pizza shop. Instead these events should be using the creative outlet to build up our desire for the beauty and aesthetics of work created by professionals and skilled hobbyists working in the field today.

The Amplification of Reality

About at month ago I was sitting in the studio pondering the concept of creating art, when I was struck with a rather profound thought. “Art is the process of amplifying reality in order to create an emotional response.” For a long time I wanted to build this idea into a live show, but there isn’t much here for that. Thus, I will expand on the concept here.

While this isn’t meant to take the place of my “What is Art” post, it instead should supplement it and give you greater insight into the creative mind. So what about this concept of “amplified reality.” Think about it logically for a moment. Whether we’re talking 2D or 3D, Traditional or Digital, Contemporary or Historical; art in every age, medium, and style from abstract to realism seeks to mimic and amplify reality into something profound. Even absolute photorealistic painters understand this very well. A brush stroke at it’s very core imitates reality. To imitate something and make it seem believable you often are using techniques to trick the brain into processing images into different emotional states.

Take for example optical illusions, most famously the work of M.C. Escher. Much of his work while yes is mathematical, still needs to have a visually artistic and aesthetic portion to seem relatable to the human eye. Escher’s work is primarily architectural and he knew how to bend the visual rules in order to change the perception of reality. Looking at one of his works you are forced to debate in your own mind if such a structure is even possible in the first place. Just when you feel confidant you’ve figured it out, your eye tells your brain it’s wrong again.

For a painter it’s often about using brighter or duller colors to create a mood within a painting. Such a mood of color, paired with complex psychological color theory, triggers the viewer in and emotional response of anything from joy to anger and everything in between. Scientifically speaking a painting is just an image and an image by itself doesn’t have meaning. However, as culturally educated humans, we give meaning to color, shapes, symbols, and forms that both as artists and viewers create a connection within the image.

Abstract art takes what is already familiar and distorts it. An abstract reality is distorted from one emotion and often works to make us feel another. Abstract landscape painters are often understand this well. Using texture in their paintings rather than details on the forms, they can manipulate emotion through movement. A textured horizon line in red and yellow, can be just as impactful as a details in a sunset if executed properly.

So I say it again... “Art is the process of amplifying reality in order to trigger an emotional response.” Let your art not simply be something that imitates reality, but enhances it in your own unique way. Being able to amplify, enhance, and interpret the world as you see it and then turn it outward to create art, is the core of being an artist.